“Given how firmly it closed its circular plot, and the relatively peculiar particulars of its narrative — “relatively” since it ran on an engine oft-lifted from “Groundhog Day” — it’s somewhat surprising to see a second season of “Russian Doll,” the excellence of its 2019 first season notwithstanding.
“In that fairy tale of New York, described by Natasha Lyonne’s main character, Nadia, as “the one about the broken man and the lady with a death wish that got stuck in a loop,” Nadia and her spookily entangled metaphysical twin, Alan (Charlie Barnett), keep dying until life looks better.
“It’s a Borscht Belt Saṃsāra story, with an ending so beautifully landed one wonders what more could possibly be said.”
Read more at LA Times
