“Fede Álvarez’s new instalment in the Alien franchise presents as a younger, grungier, back-to-basics effort, moving away from the grandiose cosmic reach of Ridley Scott’s films Prometheus (from 2012) and, five years later, Alien: Covenant while attempting a return to the downbeat conspiracy paranoia and anti-corporate satire that made the original so unforgettably good. It also, very startlingly, brings back a major character from the 1979 Alien, the actor involved having perhaps signed away CGI image use rights at the time, or conceivably their descendants have been paid a royalty fee.”
Read more at The Guardian
