“Here is Robert Eggers’s avowed passion project as writer-director: a luxury-arthouse remake on a grand scale, paying homage to FW Murnau’s classic silent film from 1922, the German expressionist nightmare of Count Orlok, or Nosferatu, the “evil one”, a pallid vampire living in the shadow of the Carpathian Mountains.
“Eggers’s film can’t quite bear to say the comedy word “Transylvania” out loud, though we get to glimpse it on a map. It is an interesting new Nosferatu for our age of pandemic fear, with some beautiful images and striking moments, particularly in the eerie moonlit hallucination sequence at the beginning, which makes the rest of the story feel slightly literal and self-conscious.”
Read more at The Guardian
